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Whether you’re a film professional, a student or a film buff with a powerful urge to write, this book can help you achieve your aims by providing a technical foundation for creativity. You may be burning to visit Cannes with a script in your hand or writing your latest novel. You may be shooting your own film or just watching other people’s. Why write for the screen? o you want to write a screenplay? You may be working in the industry or hoping to join the ranks. Introduction Writing your Screenplay Introduction Summary and conclusions Exercise 13: The scene breakdown The seven-step outline: The road-map of your protagonist’s journey Balancing the first and last turning pointsĪct one-step 1: The set-up-establish the protagonist and their worldĪct one-step 3: The act one turning pointĪct three-step 6: The climax, or act three turning pointįleshing out the contours of your seven-step outline Premise reflects the central concept and themesĮxercise 6: Premise and protagonist psychologyĬhapter 9: Plotlines, subplots and secondary charactersĮxercise 9: Biographies for key support roles Three acts: The beginning, middle and endĬonflict as the basic building block of dramaĬhapter 4: Time is the basic building blockĬhapter 5: Devices for manipulating story chronologyĭeadlines, ticking clocks and high-stakes dilemmasĬhapter 6: Your premise governs three acts Writing Your Screenplay Chapter 2: Know the rules before you break themĬhapter 3: The psychology of the protagonist
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The demands of art, the industry and the market Understanding the industry The basic economy of film What makes your audience tick? What makes a good story? Connecting with an audience How to create a timely story Writing the ‘period’ film Finding the ‘hook’ Genre defines audience expectations Put a twist on familiar themes The producer’s big questions: Who cares? and So what? Exercise 1: Creating your screenplay folioġ6 18 19 21 23 25 27 29 29 32 34 35 38 vii This book is dedicated to my children, Lucian and Ava.Ĭontents Contents Contents Introduction Why write for the screen? Essential tools for screenplay development Creating a screenwriting folioĬhapter 1: Cinema creates a parallel universe The author acknowledges the assistance of colleagues Kathy Mueller and Simon Britton at the Australian Film, Television and Radio School and Malcolm King at RMIT University. 808.23 Set in 10/15 pt Veljovic Book by Bookhouse, Sydney Printed by Griffin Press, Adelaide 10 9 8 7 6 5 4 3 2 1 Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: Web: National Library of Australia Cataloguing-in-Publication entry: Dethridge, Lisa. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. See 677-Main.QXDįirst published in 2003 Copyright © Lisa Dethridge 2003 All rights reserved.
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Much of the material in this book forms part of the online course in Screenwriting run by the Australian Film, TV and Radio School. She has a PhD in Media Ecology from New York University. She has taught writing and media/communications at the American Film Institute, the Writers Program at the University of California, Los Angeles, New York University, the Australian Film, Television and Radio School, the Royal Melbourne Institute of Technology and the University of Melbourne.
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She has written about the screen for magazines and journals, including a regular column for Vogue Australia. Her clients include Fox, Warner, Working Title, MTV, CBS, NBC, CNN, Granada, SBS, the Australian Film Commission and ABC Australia. During this time she has worked with producers and writers in both countries, and for major and independent studios and networks. Dr Lisa Dethridge has twenty years’ experience writing for film, television and print in Australia and the United States.